Tag: sage

Categories
Pasta, Noodles, and Dumplings The Book

147. Butternut Squash, Sage, and Goat Cheese Ravioli with Hazlenut-Brown Butter Sauce p.236


The recipe

This dish was my contender in our ongoing series of food battles. They faced off against my dining companion’s lovely beet and ricotta stuffed ravioli, which turned a vibrant fuchsia as they cooked. As is always the case with these battles, we both think we’ve won, because we’ve chosen recipes that suit our moods that night. The only way to solve this is to get an outside expert to come eat with us. My sister loves the idea of judging my food, but she doesn’t eat red meat, which limits her judging potential. This battle was completely meat free, and we just forgot to invite her. She brings it up every time I see her, and I don’t think she’ll forgive me ’till I show up on her doorstep with a ravioli sampler platter.

The ravioli came together easily. You start by roasting a butternut squash, scooping it out, and mashing the flesh. You then brown onion in butter with sage salt and pepper, and mix it into the squash, along with some of the oldest, hardest, and stinkiest goat cheese you can get your hands on. The squash is then distributed among 60 wonton wrappers, and sealed up. You can do all of this ahead, and refrigerate the ravioli ’till dinner time. While the water for the ravioli is coming to a boil, you brown butter with chopped toasted hazelnuts. The ravioli are boiled for a few minutes, and served with the hazelnut-brown butter drizzled on top.

I cheated with this recipe. I decided to do about five times more work than The Book called for, and made my own pasta for the ravioli. Wonton wrappers are just fine, and work quite well for ravioli, but I really prefer fresh pasta for applications like this. The texture is just that much more appealing, and in theory you have much more control of the shape (in practice some of those shapes are a little wonky). Making pasta is a pleasant way to spend an afternoon, and the rolling is exceedingly satisfying. The ravioli were very good, and I think that’s in part due to the pasta. I imagine they’d be fairly similar with wonton wrappers though.

These ravioli were really hearty. They were absolutely delicious, and intensely flavourful. In fact they were so flavour packed that I’d only want to eat two or three of them. They would work best as one course in an elaborate dinner. Roasted butternut squash is high on my list of good things in this world, and it has a wonderful affinity for sage and goat cheese. The flavour pairings in this dish are absolutely right, everything is well proportioned, and it tastes rich and luxurious without being overwhelming.

I could have lived without the hazlenut-brown butter sauce. It was nice and all, but I didn’t find it all that necessary. Preparing the hazelnuts was a hassle, they had to be toasted, and then rolled in a cloth to get their skins off. Unfortunately the skins didn’t quite come all the way off, and flecks of skin ended up burning in my butter, adding unattractive black specks, and a bit of a charred flavour. The ravioli were certainly rich enough without adding nuts, and it was possibly one flavour too many. A little brown butter would have been a nice accompaniment, but the hazelnuts were overkill.

I was very well pleased with my entry to Battle: Ravioli. I’d absolutely make these again, and I’d probably make a double batch just to stash some in the freezer.

Categories
Pasta, Noodles, and Dumplings The Book

102. Spaghetti with Handfuls of Herbs p.204

I couldn’t find a recipe for this online, but this is more a concept than a specific set of instructions anyway. The idea is to toss spaghetti with extra virgin olive oil, butter, minced shallots, and any and all herbs growing in the garden. The pasta is then sprinkled with bread crumbs which you’ve toasted in olive oil. The heat of the pasta releases the flavours of the herbs, without wilting them too much, and the uncooked shallots are warmed but retain their sharpness.

There are no specific instructions for which herbs to use, or in what proportions. It’s totally dependent on what you have on hand. I had a grand old time out on the balcony with a pair of scissors. I ended up with basil, thyme, rosemary, oregano, parsley, chives, sage, lavender, and lemon balm. Those last two were unexpected flavours, but they absolutely made the dish for me. I got really lucky and randomly combined my herbs into a near perfect flavour medley. I couldn’t repeat the process, I just snipped a bit of this and a bit of that, and I ended up with a completely delicious and intensely fragrant plate of pasta. My dining companion thought it was good, but not transcendent, but for me it was exactly the right dish at exactly the right time. It was perfectly suited to a warm night out on the balcony.

The bread crumb topping adds a textural counterpoint to the pasta, but not one I thought was really necessary. The Book says that the bread crumbs don’t weigh the dish down the way cheese would, but I just found them oily. Admittedly my bread crumbs weren’t coarse, and they might have worked better if they’d been more like tiny croûtons. Mine were more of a sandy coating on my pasta. It didn’t really detract from my enjoyment of the dish, but I think they ruined it for my dining companion.

You may also notice that I didn’t use spaghetti in this spaghetti dish. I can’t bring myself to care about the different shapes of pasta, and I resent having to remember all of their names. They’re all exactly the same, shells, spirals, round strands, flat strands, big tubes, and small tubes all interchangeable in my mind. Sure, some shapes hold on to some sauces better, and finding things hidden in little shells can be cute. But, the idea that we all need to keep fifteen different shapes of pasta on hand to do justice to the traditions of some particular Italian hamlet is just annoying. They all taste exactly the same, and I’m going to use them as such. The only downside is that the different shapes really do differ in surface area. The amount of sauce needed to coat is proportional to area, which has little to do with mass or volume, so it does take some guesswork to avoid over or under saucing.

The concept of this dish is great, it’s simple and summery. It uses herbs at their peak, and allows for creativity around a central theme. It also has the advantage of not heating the kitchen up too too much. I was thrilled with the flavours at work in my version, and I can only hope you get as lucky as I did if you try this for yourself.

Categories
The Book Vegetables

38. Roasted Carrots and Parsnips with Herbs p.529

the recipe

I nip, you nip, we all nip for parsnips!

I love them mashed, boiled, grilled, broiled, sauteed, and particularly roasted. They behave almost exactly like carrots, they look like carrots, they taste quite a bit like carrots, and yet… the carrot is a superstar of the vegetable world, and the poor parsnip is drinking alone at the bar slurring “whachs ur problum, not ornge enough fur ya??” at unsuspecting passersby. They’re not as sweet as carrots, but I think they bring a lot more flavour to the table. They’re also a whole lot starchier, meaning that they pretty much have to be cooked.

It’s hard for me to be objective about this recipe, because I’ve been making my own version of it for years. I normally toss carrots and parsnips with oil, salt, pepper, and assorted dried herbs, then roast them. The advantage this recipe has is the addition of water to the pan which helps the vegetables get tender, then as the water evaporates they’re able to brown up. When I make this I generally just use dried herbs, I’m not sure it makes a whole lot of difference in a dish that’s roasted for an hour. That said the sage and rosemary were delicious.

This is one of those pretty basic recipes that’s hard to rate. It would be delicious if you followed the recipe exactly, or if you improvised wildly around it. But it was solid, and it won’t lead you wrong.

Categories
Beef, Veal, Pork, and Lamb The Book

31. Pork Chops With Sautéed Apples and Cider Cream Sauce p.480

Sorry, no recipe this time

The sautéed apples and cider cream sauce were absolute stars, but the pork chops themselves were a pretty indifferent base for this recipe. It starts with the cream sauce (shallots softened in butter, cooked together with apple cider, cider vinegar, sage, chicken stock, and heavy cream), then the chops are cooked through in a heavy skillet, and the apples are cooked in the pan juices with a bit of butter once the chops are done. The apples caramelized beautifully, and took on the best of the pork’s flavours from the fond in the pan. The sauce was creamy with an enticing acid bite which contrasted the sweetness in the apples. As I’ve mentioned I love sage, and I’m always happy to see it make an appearance outside of turkey stuffings.

The chops themselves were indifferent. This is probably both my fault and that of industrial agriculture. I’m far from the first person to bemoan the lack of flavour in today’s pork. I’m too young to look wistfully back on the halcion days when every pig farm was just like in “Charlotte’s Web”, but the state of industrial pig farming today is pretty disgusting. Beyond the objections of PETA and everyone of any moral fibre, the pork that those factory farms produce doesn’t taste very good. More ethically raised meat just tastes more pork-y. Of course those sun-kissed and morally unblemished pigs are going to set you back a chunk of change. For that reason I’m going to continue eating pigs raised in deplorable conditions a good part of the time, and so are most people for the foreseeable future.

The problem with the mega-mart super pack chops in this recipe was the cooking method. They’re pan fried with salt and pepper, and that’s it. They give up their flavour to the sauce, and you’re left with dry tough and flavourless chops. The cheap-o chops just don’t do well with dry cooking methods. I raved about Pork Chops With Onion Marmalade, which was exactly the same meat, just using a wet cooking method. This kept the pork moist, and added a lot of flavour to the meat itself. Brining these chops before cooking them could have kept them moist and added flavour too. As it was they didn’t really add much to the dish.

A note on photography: Experience has taught me that photos of a big plate of meat really don’t look very nice. I’ll stop inflicting photos like the above on you ASAP.

Rating this one is a bit tricky, the apples and sauce were out of this world, and the pork wasn’t terrible, just indifferent. I suspect that if I’d used thicker chops, and ideally better quality pork this could have come out as a five mushroom recipe. I can’t really hold The Book accountable for me choosing to cut corners and buy less than stellar ingredients. On the other hand, most people making this recipe are going to use the same chops I did, and they should have tested this recipe with the ingredients their readers are likely to use.

Categories
Fish and Shellfish The Book

4. Fish en Papillote With Tomatoes and Olives p. 302

the recipe

This was less than the sum of it’s parts. A lot of good things went in: a couple nice halibut fillets, tomatoes, olives, red pepper flakes, orange zest, sage, wrapped and baked in parchment. What came out looked pretty, but tasted off. The individual flavors were good, but they didn’t meld particularly well. There was way more zest than I would have liked, and something unexpected and unpleasant in the sage-olive-fish combination. The fish was also a bit underdone, and you can’t put a papillote back together again (I finished in the microwave, but it didn’t help matters much). I think this one was a lot better in theory than it was on the plate. If I were to redo this I might replace the halibut with red snapper, and switch out the sage for thyme or basil. Overall there’s just way too much going on without much balance. There were about as many toppings as there were fish. Restraint might have improved it significantly.

Categories
Beef, Veal, Pork, and Lamb The Book

2. Saltimbocca p. 456

The version in The Book is very similar to this one with a slightly different ingredient list. I’ll give it to you here

8 thin veal cutlets
1/8 teaspoon freshly ground black pepper
3 garlic cloves
1/4 teaspoon salt
16-24 fresh sage leaves (each about 2 1/2 to 3 inches long)
8 thin slices prosciutto (about 1/4 pound total)
1/4 cup olive oil
1/3 cup dry white wine
1/3 cup chicken stock or store-bought low sodium broth
2 tablespoons unsalted butter

Essentially The Book adds pepper, deglazes with both stock and wine, and finishes the sauce with butter. I haven’t made both versions, but the pan sauce The Book’s version produced was out of this world. I think the sauce benefited from the stock because the saltimbocca only sauté for a few seconds (about 30), and there really wasn’t a lot of time to produce flavorful meaty browned bits for the pan. As we will soon see, The Book is fearless when it comes to finishing things with butter.

The Book tells us to “secure prosciutto and sage with wooden picks threaded through sage leaves and meat” whereas the linked recipe recommends we use three picks per cutlet. I only used one skewer each, and I found they were prone to spinning around like little meaty pinwheels: use at least two skewers.

At the time I made this I wasn’t too familiar with sage, and this dish was a solid introduction. It is upfront and centre in the meat, and most of the browned bits scraped up into the sauce were sage. The prosciutto takes on a wonderfully crispy texture, and I imagine the thinner your slices are the crispier they’ll end up. The veal is only 1/8 inch thick, so overcooking is easy to do, and easy to miss. Next time I would be more careful about making sure the cutlets were of an even thickness, but even the overdone ones tasted pretty great.

Overall this was quick, easy, pretty, and packed with flavor.